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NO CONTACT #3 ART BOOK [PRE-ORDER]

(Self Released)

NO CONTACT #3 ART BOOK [PRE-ORDER]

$80.00

BOOK, A4, 176 pages, Softcover, 130gr coated matte stock, Exposed binding, 2 colours (gold + purple pantones), 2025

NO CONTACT #3 is a publication focused on visual arts and the artists operating within the field of Black Metal and its satellites.

Full table of contents:

Portfolios;
Glyn Smyth // glynsmyth
Christophe Szpajdel // lordofthelogos.com
Timo Ketola // ketolabominations
Surya Mahdiana // surialism
Jef Whitehead // wrestplague
Theodor Kittelsen // theodorkittelsen.no

Interviews;
Summoning
Dødheimsgard
Antaeus
Gohr Al Krohn

Dossiers;
Le Calendrier Magique (translated as the "Magical Calendar" in English, is a French publication from the late XIXth century. This calendar, of great rarity, as it was printed in only 777 copies 130 years ago, primarily deals with occultism and black magic through the lens of astrology.)

La Sanch (meaning "the blood" in Catalan, is an ancient and solemn Holy Week procession held in Perpignan, France, which commemorates the Passion of Christ)

Technical information
176 pages
Soft cover
DIN A4 (210X297mm)
130gr coated matte stock
exposed binding
2 colours (gold + purple pantones)
approximative weight 750gr

Following stunning success of the two first issue of NO CONTACT (750 printed copies extinct & sold out), a decision was made to launch production of a third, and last volume. The principle remains rigorously the same: a publication inspired by the rawness and radicality of black metal fanzines from the 90s, enhanced by a high end manufacture quality, and a much sharper design. No Contact was printed in two tones (deep red and gold) on 130g coated stock, with black thread visible on the exposed binding.

Soaked in the analogue, xeroxed activist Black Metal madness of the ‘90s, No Contact is a timeless item in which a multitude of fragments emanating from the past and present come clashing together. In addition to countless moments of outrage, profanity, and provocation, accounting for the lion’s share of the publication, it features portfolios of active visual artists, exclusive interviews, as well as a full dossiers about Calendrier Magique, and funeral rites in French Catalunya.


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